09 Jan

Hundred Year Storm, abstract painting #7

This painting started to look celestial right away, and I was thinking about that storm that’s been happening on Saturn for hundreds of years… Can you see a storm?  Click to Bid

While working on this painting and several paintings on paper, I got a much better grasp of how to manipulate this paint with acrylic paint pouring techniques, and I’m starting to see the relationship between the paint doing it’s thing and the painter directing what can be directed, and how direct application of paint can subtly work into something that looks organic…

I’m trying out a little setup in my studio for displaying the paintings, so that collectors can get a sense of how the painting would fit in a space. What do you think? Is it helpful?

08 Jan

You Hold Me Together, abstract painting #6 of 2017

I am continuing to experiment with acrylic painting techniques. I tried contrasting thick opaque paint with an underwash. And more significantly, the thick solid paint is contrasted with marbled crazy paint. It looks very organic to me, like a microscopic picture of something. But what? Click to Bid

07 Jan

Chasing My Tail, abstract painting #5 for 2017

A giant dragon flying through the air, then flipping to catch it’s own tail… Or maybe a sunset… It’s both.

I’m working through ideas about lines, and line quality. In art school I was kind of obsessed with varying my lines, especially when drawing the figure. With this painting I tried to make the edges interesting with small zig-zaging edges, and longer smooth edges… There’s also quite a difference in surface depth between the background colors and the pool of green above.

Click to Bid

06 Jan

Layers of Warm, abstract painting #4 for 2017

OK, this one actually looks like it glows. I am loving that. I want to use the glowing effect for some landscapes next month! Click to Bid

One thing I think about a lot during my “regular” representational paintings is how thick the paint is… I want to have interesting areas where the paint is thin, and other areas where the paint is thick – so that there is ongoing interest for the paintings. With this painting I just experimented with that idea. Can you see all the layers? Do you like it or hate it?

I got my pouring medium in the mail today and am experimenting with it. It added some great shininess, plus I was able to do something pretty fun with using it to keep the paint wet in certain areas so I could wipe it back off with a brush for a sort of boutique look.

06 Jan

What I Feel, abstract painting #3 for 2017

I’m continuing to explore colors and textures and relationships. Specifically, how the green shape fits in with the violet shape around it… are they merged together or separate? Is one growing from the other, or diving into it? Sometimes it’s hard to tell where one thing ends and the next begins – especially in matters of the heart.

Click to Bid

approx. 10×20 inches, acrylic on loose canvas. For the photo I took the painting outside on a piece of wood above the snow in the shade, and took a photo outside.  The photo is so much more accurate than the one I took right inside the glass door.

It’s -5 right now, but not cold enough to force me into shoes or a jacket! :)

05 Jan

Small Embrace, abstract painting #2 of 2017

While I was working on this painting I was thinking about how the things I care about the most are the smallest things… things that cause complete chaos… and that give life purpose.

What does that have to do with what I painted?

I’m painting abstractly right now. I’m working out some issues of size and shape and proportion and texture and transparency and opacity… And also for me, painting abstractly takes a lot of courage and I’m feeling courageous right now! And while I paint I think about life, and the purpose of life. And this is my embracing of life.

Thank you for looking.

Small Embrace, approx. 11×22, acrylic on loose canvas, ready to frame. The photo below is the raw photo I took with my phone (my camera is hiding again). And the photo above I color and level corrected to show how it looks sitting in an interior room without direct light.

03 Jan

My Friend, commissioned painting

This is one of the most challenging paintings I’ve done, because it’s very conceptual. My son’s programming mentor was interested in a painting that will remind him of a crow that was a childhood friend, and which would talk to him from the barn roof.

I ended up making a painting that looks fairly simple, but there is a lot of texture in the sky and barn peak, and getting the expression to read just right was quite a challenge. Today I sent him the final picture, and he loves it, for which I am very glad!

So many ideas for abstract paintings came to me while I was working on this painting. I want to do many more birds (and have been taking photos of the crows that winter over here), as well as some paintings about texture and color.

Thank you for looking!

03 Jan

Art calendar for you. Happy New Year!

I wanted to give you something pretty to say thank you for your interest and support of my art career, so I decided to make a beautiful 2017 monthly calendar that you can print at home. Download PDF of the Rasche art calendar here. 

I hope you enjoy it!

(If you’d rather purchase one that’s already printed, let me know and I’ll find a good print service to get that done…)

 

 

30 Nov

Blue Eyes, wild horse portrait

The portrait is wild, not the horse. :)

Blue Eyes, 7″x5″, oil on linen, available. If this is a gift, I would be happy to gift-wrap the painting and add a card with your name and note. Please just note that when you check out, or give me a call.

I have been really enjoying painting horses! I feel a sort of kinship with them that just makes the paint flow. There is something about all the personality that shows in their faces, and the combination of power and grace that is captivating…

 

I think this would look really cool huge on the wall, so prints are available here.

28 Nov

Finishing a Horse and Woman Portrait, Hanging a Portrait

Just finished, and still wet on the easel, is this young woman and horse portrait painting. Here is the project video. I hope you find it interesting!

There is still time for one more person to commission a portrait before the Holidays, so if you’ve been thinking about having a portrait done, this is a great time to call (605-695-5815).

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Here is the portrait “The Story She Told”, hung in it’s beautiful new home. Thank you for the photos, Erika!

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See new paintings and exclusive information about how and why they are painted, about once a week.

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